The Venice Design Biennial is glad to present the VDB Residency. The city offers a one-of-a-kind experience, a program that provides the selected designer with the opportunity to spend one month in Venice and produce a work in collaboration with local makers. 

The program aims at connecting international designers with outstanding artisans, thus developing a strong bond between cutting-edge design research and the traditional craftsmanship of Venice.

The call for the second edition of the Venice Design Biennial Residency is now closed.

Period of stay: November - December 2022
Production of the work(s): January - April 2023
VDB main group exhibition: May - June 2023

Deadline for applications: September 19th, 2022 

Thanks to all the designers who joined the call by sending in their submissions. The winner of the second VDB Residency is Trent Jansen. Follow his experience in Venice on our Instagram account!

Our partners for the 2023 edition

Main Partner: McArthurGlen - Noventa di Piave Designer Outlet

Design is not primarily made of objects, but of choices that influence the way of living, of dwelling, of relating to others. 

The Venice Design Biennial brings to Venice designers from all over the world, while at the same time providing a platform for Venetian designers and design practices.
McArthurGlen - Noventa di Piave Designer Outlet, located in the mainland of Venice, is the place to go for both locals and international travellers looking for a wide choice of fashion and household design. 

This new partnership for the 2023 edition aims to emphasise the plurality of design, so that it is a device for seeking one's own uniqueness.

Manufacturer and editor: Vetralia, which will take care of the production of the design piece(s).

Active in the collectible design proposal, Vetralia is a meeting place for creatives, whose wish is to combine contemporary artistic forms with the multiple Venetian craftsmanship skills, expression of a culture of excellence that has its roots in the Renaissance workshop.

Vetralia's research consists in discovering, producing and promoting functional works of art capable of arousing a response in the end user both, in emotional and intellectual terms; pieces capable of expressing an innovative vision of the world, but made through processes originating from tradition.

About the first edition of VDB Residency

The first VDB Residency started in November 2020. Tadeas Podracky, the winner of the 2021 edition, exhibited the outcome of his collaboration with the Venetian studio Ongaro e Fuga Artistic Mirrors in the collective exhibition Design As Self-Portrait.

The first VDB Residency was supported by Milano Czech Centre.

Tadeas Podracky in his studio, portrayed between his mirrors "Fading Reflection". Ph. Tomas Brabec

Tadeas writes: "Born out from an exploration into the Venetian mirror-making tradition, “Fading Reflection” is two mirror objects that seek to disrupt our perception of what tradition represents. The object reflects upon the idealization of traditional crafts, and imagine a scenario where the tradition is a never-ending constant evolution; artifacts become the container of continual flux, materializing the transition between its history, surroundings, and human.

Details Ph. Tomas Brabec

During residency, where I have been researching traditional Venetian materials and crafts, Venetian mirrors caught my attention as one of the most important historical icons of the glassmaking tradition. Historically, the production knowledge of the Venetian mirror was firmly tied to the place of origin - the island of Murano, and it has been kept as a secret. However, the object's relevance is mainly historical; the traditional craftsmanship is preserved, and production continues even nowadays. To properly know the Venetian mirror even from the inside, I spent a month in Venice exploring the local production, knowing processes, and learning them.

Tadeas experimenting with glass and mirroring techniques inside Ongaro e Fuga's workshop in Murano.
Below, selecting the handmade glass elements with Giuliano Fuga.

The Venetian mirror is essentially an ingenious system of hand-made glass decorative components and mirrors that functionally interlock each other with the wooden supporting frame. All processing crafts are subordinated to the decorative and reflective function of the object. In the research phase, I was fascinated by the side products of the traditional craftsmanship, the materials hidden behind the mirrors, those considered unwanted or low - such as a wooden frame that is often just roughly treated or reluctance to use glue. I realized that these interruptions bear the same testimony of the authentic tradition as the shiny, well-crafted reflection of the mirror and should have been treated the same way with the same high craft skills. Because of that, I wanted to develop a principle on how to undermine the traditional approach and equalize "low" materials, interrupt the privileged position of the glass, and emphasize the gestural quality of the maker ́s craft. I did not want to materialize my ideas with the help of mirror-making techniques but rather to grasp and learn from them, give every material its maximal scope, and let the object decide its character and shape with the help of the intuitive or experimental making process.

Ph. Federico Floriani

The object is formed around its center, which is inlaid with the traditional Venetian mirror - referencing historical pieces. The further from the center, the more the traditional concept of the mirror dissolves, and other materials appear. I questioned how to disrupt the visual materiality of glass and how to connect it with other elements. By experimenting with the silver oxidation, the traditional antique mirror helped me interrupt the surface of the glass, add the colors and merge it with a hand-carved wooden frame. The glue has its own importance in the piece; traditionally, it is not allowed to use glue in mirror making. I wanted to reverse that, use glue as a decorative element that would also mediate the continual interchange between surfaces of the object and surroundings. By that, the mirror offers a transition to the immediate space.

One could argue that it's undermining tradition, but I believe that once the tradition is not questioned or interrupted, it fades away."


From VDB Residency to Design Miami: Fading Reflections mirrors participated in Design Miami in December 2021 as part of Podracky's solo booth presented by Side Gallery. Read our article on The Platform.

Fading Reflection exhibited at SPARC* as part of the group show Design As Self-Portrait. Ph. Federico Floriani